arts

HAT: Create! at the Dixie Center for the Arts

This year is the 16th annual Holiday Arts Tour for NCLAC, and we have a wonderful year lined up. I'll start our "HAT web tour" at the Dixie Center for the Arts, corner of Alabama and North Vienna in downtown Ruston, where the Tour itself will begin on November 21-24. Tour-goers should make their first stop at the DCA to view the group exhibition, sponsored by Landry Vineyards, featuring each of the participating Holiday Arts Tour artists. You'll be able to see the well-crafted variety of works available, from calligraphy to photography, handmade books to oil paintings, soaps to wood-turned jewelry. In addition to the exhibition at the Dixie Center, there will also be a voting box for the People's Choice Winner. In an effort to reward our talented artists, we will be offering two awards this year: Juror's Choice and People's Choice. Upon looking at the Dixie Center exhibition, and/or after making stops at each Tour site, be sure to cast your vote for your favorite artist. Awards will be announced at the end-of-Tour artists' party on Saturday.

The Tour will begin again this year on Thursday, in partnership with the City of Ruston's Main Street Christmas Open House. Artwork will be on display for special Open House hours of 5-8pm. Stop in and visit with merchants and get a jump on the weekend.

Friday's Tour hours will be 4-8, so you'll have time to head downtown after work. At the Dixie Center, Landry Vineyards, north Louisiana's own vineyard and winery, will be holding a wine tasting. Artists will be on site in each Holiday Arts Tour location, ready to chat about their work. From 5-8pm at seven downtown Tour sites, musicians will be performing for visitors. These will be small ensembles who perform short sets so that you may talk with them about their music. At Pastry Moon, there will also be a round-robin style Poetry Reading at 6pm.

Saturday will be the big shopping day, with artists present in each of the Tour sites from 11-5. Many will be offering demonstrations, such as screen printing, spinning, flint napping, and calligraphy. Holiday Arts Tour is really a special event, as it gives you a unique opportunity in a relaxed setting to see and hear about art processes that may be unfamiliar.

Sunday will be a special day for the family. Three studios will be offering Sprout Sunday activities, which are free art projects for children. Stitchville, Brush Hour and Pastry Moon will each offer a unique activity for Tour-goers from 1-4pm. When Tour hours end, head over to the Dixie Center for the Arts for a free Community Variety Show at 4:30. Dancing, singing, theatre and more will be on the Dixie Center stage as a perfect ending to a big extended weekend. This is your perfect opportunity to check out the beautiful Dixie Center Theatre if you haven't been in in a while.

Artwork from the Tour will make wonderful gifts; how much better to spend your holiday shopping money in locally owned businesses?!

Here are the sites and artists included in the Tour this year. We will be posting about each of the sites with descriptions of the artists in the coming days. Check in here to stay in the know!

Dixie Center for the Arts featuring a Holiday Arts Tour Group Exhibition, sponsored by Landry Vineyards. Wine tasting on Friday. Community Variety Show on Sunday.HAT2013_PostCardFRONT

Makers Union, featuring  Jake Dugard and Joey Slaughter. Screenprinting demonstration on Saturday.

Kelly Moore Bag, featuring Nicole Duet and Stephanie Dugard. Olsen String Trio on Friday.

Serendipity, featuring  Leigh Buffington. Grace Notes Quartet on Friday.

Lewis Boutique, featuring Christiane Drieling.

Chartreuse Pear, featuring Dorene Kordal.

Embellishments, featuring Suzy Berry and Shannan Inman. Calligraphy demonstration.

The Frame Up, featuring Hooshang Khorasani.

House of Flowers and the Cake Shoppe, featuring Julie Crews and Casey Parkinson.

Sundown Tavern, featuring Todd Cloe and Emily Ezell. Ken Carter Quartet on Friday.

The Fabric Shop, featuring an embroidery class on Thursday and a quilting class on Saturday.

Rodeo Boutique, featuring Whitney Caskey

Patton's Downtown, featuring Allen Tuten and Geri Taylor. Cain Budds on Friday.

Rogers Furniture and Gifts, featuring Cindy Gibson and Julie Roane.

Fine Line Art Supply and Stitchville, featuring MC Davis and Frank Hamrick. Elizabeth Vidos on Friday.

Pastry Moon, featuring Bonnie Ferguson, Lora Lee and Frank Kelley, Jr. Poetry Reading on Friday.

Rumo's Barber Shop, featuring Rachel Johnston. Bethany Raybourn on Friday. Spinning demo on Saturday.

Turbo Goat, featuring Peter Hay.

The Lodge, featuring Sonny Monteleone. Fred Beavers and Sara Sullivan on Friday.

Studio 301, featuring work by Kit Gilbert.

Art Innovations, featuring an on-site art installation.

Percussive Arts Institute of Ruston, featuring sculpture created during a collaborative workshop.

Townsend House Gifts, featuring Laura Glen Lawson and Michelle McGeehee.

NCLAC's Holiday Arts Tour is supported in part by a grant from Louisiana Division of the Arts, Office of Cultural Development, Department of Culture, Recreation and Tourism in cooperation with the Louisiana State Arts Council as administered by the Shreveport Regional Arts Council.

Secrets of an Arts Administrator

“Secrets of an Arts Adminstrator” will be a weekly blog post featuring anecdote from regional administrators/educators in the creative field.  It is NCLAC’s hope that through these real life experiences artists in all fields can gain practical knowledge for the industry.  As the famous author C.S. Lewis once said “Experience: that most brutal of teachers. But you learn, my God do you learn.” Topic Three: Just Apply

This is less of a life experience and more of a soap box post.  So excuse me as this little lady steps up and gives her opinion.  Currently the Louisiana Division of the Arts is taking applications for Career Advancement Grants for Artists.  I've been blabbing about this grant since I got the first announcement email and I feel like I am beating a dead horse but here goes again...

Apply.  http://www.crt.state.la.us/arts/guidelines2012-ca.aspx

Now for my soap box, these grant monies are available because people in the arts administrative world work for it.  They lobby, argue, and write defending the importance of art and money for individual artists.  They talk about it so much and so intensely they often find themselves yelling at complete strangers. (Okay, maybe not all of them but I have definitely yelled at a few people and not all of them were strangers.)  They work because they think your work is important, so important that they believe you deserve extra funding just to produce  it.  So if you are a visual artist, dancer, actor, musician, writer, or media artist APPLY.

Do it.  Your work is important and what you do deserves funding.

This weeks post is by Leigh Anne Chambers, Executive Director of the North Central Louisiana Arts Council.  

NCLAC is supported in part by a grant from the Louisiana Division of the Arts, Office of Cultural Development, Department of Culture, Recreation & Tourism, in cooperation with the Louisiana State Arts Council. Funding has also been provided by the National Endowment for the Arts, a Federal agency.

Secrets of an Arts Administrator

“Secrets of an Arts Administrator” will be a weekly blog post featuring anecdote from regional administrators/educators in the creative field.  It is NCLAC’s hope that through these real life experiences artists in all fields can gain practical knowledge for the industry.  As the famous author C.S. Lewis once said “Experience: that most brutal of teachers. But you learn, my God do you learn.” Topic One: On Time

“To be 15 minutes early is on time, to be on time is to be late, and to be late is to be DEAD.”  A quote most individuals who have had any experience in Theatre have heard, repeatedly.  I have to admit that the only thing that kept me from ever being late was a true fear that the director may in fact kill me.

I did not come to this “fear” on my own.  Instead I witnessed an event so terrorizing that it burned that phrase into the deep recesses of my unconscious self.   My freshman year of college during a technical rehearsal (i.e. a long day of coordinating lights, sounds etc.) a few actors/technicians did not show up for a scene change.  The scene ended and no one came out to change the set.  Instead of shouting for the late workers the director just told us all sternly to stay still and a quiet.  It became clear ten minutes later that we were all just going to wait for them to realize their mistake.  Twenty minutes later they did, I suppose the lack of dialogue finally broke them away from the poker game they were playing backstage.  We all expected the director to give them the “what for” right then.  But, he did not, in fact he said nothing.  We continued with the rest of rehearsal, the guilty party believing that the director was feeling particular forgiving that day, began to relax.  After the rehearsal was done we all sat down in the theatre waiting to be excused.   Our director slowly walked to the front turned around to face us and unleashed only what I imagine is close to the wrath of the Greek Gods.

But, now that I am on the other end of the artistic world I realize how crucial it is to be “on time”.  I’ve since come to the realization that perhaps the reason this was programmed into my brain was for the benefit of our director.  Perhaps it served as a warning so when charged with murder he could defend himself by saying he gave us all fair warning.

This week’s blog post was contributed by Leigh Anne Chambers, Executive Director of the North Central Louisiana Arts Council.  If you are a one of the crazy individuals who choose to put one foot in the artistic world and the other in the business/education realm and would like to contribute to “Secrets of an Arts Administrator” email us at nclac5@gmail.

NCLAC Member's Exhibit at Barnwell

 

 Beginning August 25, 2011, and ending October 9, 2011, the Barnwell Garden & Art Centeris pleased to present Cory Carlson and his “Natural Impressions”.   Mr. Carlson is an accomplished artist and show cases his amazing talent in the Main Gallery of the BarnwellGarden & ArtCenter.  Painting the Spirit of the Wild portrays nature’s timeless beauty and energy with his extraordinary wildlife paintings.  Carlson’s goals as a painter are clear when he says, “it’s not enough to just paint a good likeness.  I want my viewers to feel the emotions, struggles and triumphs of living free.”

Through Carlson’s personal travels and experiences he is able to bring such beauty and depth to his subjects.  From the wetlands of theAmericasto the sprawling African jungles, Carlson carefully observes wildlife in its natural environment, capturing rare moments with his skills in photography and sketching.  Bringing the beauty of Nature and the sense of freedom into people’s lives is Carlson’s primary artistic motivation.  Carlson recently discussed his motivation and amazing gift, when he replied “I’ve always been an artist as long as I can remember and I think I was born with a paint brush in my hand.”

Carlson began a lifelong devotion to art when he was a small boy.  His first painting sold at the age of thirteen, becoming a professional portrait artist by his fifteenth birthday.  Carlson has a bachelor of fine arts degree and is the recipient of several best of show awards.  Today his work is found in numerous corporate and private collections around the world.  Carlson’s work recently was selected as one of only 75 artists chosen from over 40,000 entries to be included in the 2011 book “Best of America Oil Artists.” 

Laura Glen Carlson is a creative jewelry maker whose love of nature’s graceful beauty is expressed through the art of sculpting precious metals into unique pieces of jewelry.  Her goals as a fine craft artist are clear when she says, “I want the people who wear my jewelry to feel a connection to the jewelry and know the piece was handmade with love and care.  She believes this sense of connectivity is achieved through the synergy of seeking balance and harmony between metal and stone in a fluid, organic style. 

Through her travels with her husband, the renowned wildlife artist, Cory Carlson, she finds fresh inspiration for her pieces from the natural world.  Expressing an element of timeless grace, Laura creates interesting pieces of jewelry expressing the flowing rhythms of life.

 Laura Glen participates in various shows and festivals, while winning numerous awards.  Her work is available in a selected number of galleries, including the Store at the Barnwell.  She has been interviewed by Louisiana Public Radio and has been featured in several newspapers and magazines including Louisiana Life magazine.  She is a member of the Craftsmen’s Guild of Mississippi, North Central Louisiana Arts Council, and the Louisiana Craft Guild.

NCLAC Member to Exhibit

NCLAC Member Melanie Douthit recently became a juried member of the Ouachita River Art Gallery in West Monroe, Louisiana. Ouachita River Art Gallery is the oldest and largest co-op guild in Louisiana and boasts 29 regional artists that include oil, watercolor, acrylic and mixed media artists, photographers, wood turners, potters, jewelry crafters and fused glass artisans. Melanie’s work includes French Quarter architecture scenes, vibrant florals and whimsical narrative collage pieces. She will be displaying her newest pieces at the Downtown Gallery Crawl on Thursday, October 6 from 5-9pm. The gallery is located a 308 Trenton Street, West Monroe, LA. The gallery is open Tuesday-Saturdays from 10am-5pm.

Q&Art with Russell Pirkle

This week: Neil Keen, co-owner of The Black Box, the new coffee shop/theatre in downtown Ruston. [wpvideo FkiQXNuu]

 When's your opening date?

 Well, we're shooting for this Friday. Don't know if we'll make that or not, but that's what we're shooting for.

 What's your hours of operation going to be?

 Monday through Friday, 7 in the morning to 11 at night, and Sunday noon to 10.

 What sort of theme or idea were you going for with the design of the place?

 Well it's a little more laid back, kind of warehouse chic look. We want it to be different from most places in Ruston, which it is. It's a little more contemporary. But it's still cozy. It's very cavey and dark. Real homey. It's pretty secluded. We've got that nice, solid wall between us and the street. So it blocks out all the sound and a lot of the light. We've got this unbelievable patio back here, which is perfect. So we're just kind of going with that. We wanted to focus on the coffee shop, with the theatre productions, the foreign films and independent films, concerts, things like that.

 Do you have any events lined up yet?

 We've got a few. We don't have anything in stone. We're trying to get open, get situated. In fact, we'll bring the food in two weeks after we open, after we get settled in. Then we'll start looking at our really big opening weekend, have a nice concert.

 Could you give me like a rundown of what you're planning for the menu?

 Truthfully, John Shirley at Campatori Catering is handling all that. He's catering it everyday, so that's completely up to him. So I don't have an idea just yet. It will be sandwich type food. But it will be more lunches.

 What sets the Black Box apart from other businesses of its kind in Ruston?

 Well, I think in the years past with the other things that we've done, we've really focused hard on customer service. Providing a very different atmosphere from what you get anywhere else. And a better quality product. Our products are very high end, and very well made and dispersed. We're just a customer-driven business. We focus on them, and they take care of us.

 Could you give me an overview of the other businesses and things that you've created over the years?

 Well, I had a partner of course that he and I started Frothy Monkey years ago. And I bought him out, and actually passed it back to him. So I've had that for six or seven years. I started Turbo Goat, the bicycle shop. Chris Bartlett took that from me, and he's recently sold it. We had the Bell Jar clothing store, and this will be the next deal. In the meantime, or throughout that time period, I've bought a lot of buildings and refurbished the buildings, either sold them or rented them out.

 And of course, we should mention your partner in this, the Black Box is . . .

 Jackie Cochran of art innovations.

 Is this your first time to work with Jackie?

 I've known Jackie for quite a while, but it is my first time to work with Jackie, yes. I actually bought the building from her. This is the old Art Innovations building.

 What motivates you to do this sort of entrepeneurial work that you do? What do you get out of it?

 I like working for myself. So that's the first and foremost. Myself and my family and my friends have a very strong desire to improve downtown Ruston. There's a lot lacking here. And we've focused really hard, and pumped a lot of money and time and effort, and blood sweat and tears into downtown. It's a constant battle for us. We see things that need to be changed and are really focusing hard on that, and trying to show other people that there are other options out there. Other than the status quo. We're working hard to just try to get people downtime, and improve the atmosphere. Try to keep the students here and keep the money here. It's really super important to support local businesses. That money gets turned over locally so many more times than a big chain store, or anything on the interstate. And we just want to give people options down here.

 How does doing the things that you do in a small town compare you think to trying to do the same sort of things in a larger city?

 Well I've done some of these things in a larger city, and it's much easier truthfully. You've got a higher population density. You've got people that already are familiar with your products that you're trying to sell. They know the benefits of supporting a downtown. Truthfully, it's harder to me to do anything here. We're looking at doing some work in New Orleans. There's a lot of grants. There's a lot of incentives. There's a lot of help to do something. Here, you're pretty much on your own. I lived in Wakeforest North Carolina. The second you walk in and say 'hey, I'd like to open a business here, what do you have?', they present you with a huge packet, hold your hand through the whole process, just really take care of you. We'd like to see improvements here, definitely. We'd like it to be easier to open something that could help turn that local dollar over.

 Can you tell me about what you've learned through your experience in the business world and what advice you might have?

 Well, I've learned a lot. Probably more things not to do than to do. But just to do it is the main thing. Everybody's scared to take that first step. But until you do, you'll never start down that road. If you're interested in it, you've just got to put your head down and keep to it. When problems pop up, you just push through them and hold on tight and hope for the best, and generally things seem to turn out okay. Keep your overhead low. And, like I said, we've picked a genre, we work downtown. And that's what we do. I think you've gotta specialize a little bit. It's a niche market world these days.

 How would someone get started if they wanted to open, say, a shop or any sort of business?

 Research. A business plan. And get your financing. That's the hard part, is getting someone to give you money. I've had some great local banks that have really helped me out by taking a big risk on me. And I've had great relationships with them. But getting that first loan was the biggie. Do your homework. Lay it out in a really organized format, and chase some fincancing.

 I think you're an artist yourself, is that right?

 I am.

 Could you tell me about your art?

 I do a little bit of everything. I haven't done it in a while, but I also just spent about a half a year in New Orleans learning how to blow glass. Which is something that I'm really passionate about. I love it. And I'd like to do that full-time in the near future. So hopefully this is kind of a stepping stone. This will give me a little place to sit and start that and try to grow into a larger scale business.

 Will we see any of your work in the Black Box?

 Eventually, yes. Hopefully by Spring.

 I think it's probably a moot question, since you say you haven't done any art work in a while, but still I'm always curious to know how people incorporate an artist lifestyle into the real world requirements of doing work, and running your business and things like that.

Well, I really like architecture, and the art world. And we do try to incorporate that into the buildings that I do. Just in the design layout. It's different. We don't just do the standard box deal. We like to incorporate friends and students' work, and local artists into everything we do. We've always had artwork up in the coffee shops. Chris, with the bike shop, has art shows there inside the bike shop. So you can incorporate it into whatever you're doing. The glass-blowing is something hopefully the coffee shop can help offset the costs of the material and labor to do that. So we can do anything from wall sconces to chandeliers to anything else we'd like to do. Ornaments, decorations, sculpture type work. And if you notice in there, there's a lot of artwork, sculptural artwork. So I guess that's how we incorporate it.

Given all the difficulties in opening a business in Ruston, and finding customers and things like that, what are the redeeming qualities of Ruston that make it a worthwhile place to live and do these things?

 There are a group of very interesting. And it's nice to see those people on a daily basis or weekly basis and maintain contact with that group of people. There's a lot of good people here. They're well-travelled. They're diverse. I think Ruston is a very diverse place. For a small town in North Louisiana. So I think that's the best part, is getting to see everybody. And just having those relationships.

 Did you go to college?

I'm still going to college. I've been going for a very, very, very long time. I'm going this quarter. I've gone to several colleges.

Tell me about your experience, what you've studied and what you've learned.

 Goodness. Art, geology, mainly art. Architecture. I've had years and years and years of art school. I enjoy it, but I don't plan on working for anybody else. It's just something I do because I enjoy it.

 As a working professional, what value do you see in going to college rather than teaching yourself or going to workshops or associating with other artists in real life situations?

 As someone that doesn't have to support myself with my artwork, I kind of have a different view I think. If I were having to support myself with my artwork, I would definitely be more concerned with the academic route. The degree, the learning plan, and the steps to go through that, to get a job and be able to support myself. As someone that does the art on the side as a hobby mainly. Or even if it were to make money, my main source of income comes from building improvements, property sales, and business ventures like this. So I think I'm a little bit of an odd duck, truthfully. But if I were going to support myself with my art, I would definitely be more concerned with the art program.

 I think that's about all the questions I have. Is there anything else you'd like to say about the Black Box?

 It's just going to be a very different, great place. We're going to have a lot to offer that you cannot get anywhere around. Different music. Theatre venues. The films. It's just going to be completely different. Everybody needs to come check it out.

 And to clarify, you're going to have live theatrical performances, and you're also going to be showing what sort of films?

 Just independent and foreign films. Things you can't run down to blockbuster and pick up.

 What sort of talent are you looking at for the theatrical performances?

 Jackie's heading that up. There are a lot of local guys that like to put on small plays. Jackie probably could answer that better than I could. But it's going to be local. She's coordinating with Tech also to let them do some small productions here. It will generally be local guys and students.

 Okay. Thank you very much for talking with me.

 Thank you.

NCLAC's Holiday Arts Tour: Call for Artists!!

NCLAC is now accepting applications from artists to participate in our 14th annual Holiday Arts Tour. We want to serve the artists in our region first, so we’re inviting artists in Lincoln, Jackson, Claiborne, Bienville, and Union parishes to apply from August 15th-Sept 2nd.

Afterward, if there are host sites still available, we’ll extend the call for artists beyond our region for two more weeks. Late applications from artists in our region will only be considered if a second call is issued. To ensure consideration, we want to encourage artists in our parishes to apply before September 2nd.

To download an Artist Application Packet,  scroll down to the bottom of the page and look for our Shared Files.  If you need any assistance with your application, or if you have questions, please contact us at 255-1450, Wednesday –Friday between the hours of 11am-2pm. 

If you have participated before, you will notice some additional requirements in the application packet. For example, we are including a Supplemental Artist Info form that we will use in creating publicity materials. As we choose artists, musicians, and businesses to participate this year, we will also post “feature” articles about them on the blog in the weeks leading up to the Tour.

We are making some exciting changes this year, so even if you have attended or participated in the Tour in the past, we encourage you to check out what’s new this year. For more details and regular updates, please subscribe to our blog.

ISA Seeks Host Families for Arts Exchange Students

Lesa Rhodes from International Student Exchange is asking that supporters of the arts offer to serve as hosts to exchange students who are especially interested in the arts. The hosts would provide housing, which typically includes breakfast and dinner, to one student for 1-2 semesters.  The students are between the ages of 15 and18, have dental and medical insurance, and have their own spending money. They will be arriving in August.

For more information, please contact Lesa Rhodes at 318-450-7161.

Russ-Town Band to Play Peach Fest

The Russ-Band performs their Americana music every year at the Dixie during the Louisiana Peach Festival. This year’s concert will take place Saturday, June 25 at 2 p.m. and is free and open to the public. Like all community bands, the Russ-Town Band plays for the entertainment and benefit of the community, and they hope to see you at the Dixie on Saturday. The history of the Russ-Town Band is a colorful one that began in 1994. That summer, a group of local friends with a passion for music got together and recognized the need for a professional quality musical ensemble in Ruston. The group included Lawrence Gibbs, who is the Associate Director of Bands at Louisiana Tech, his wife, and Anne and Charlie Gaushell, who were members of the LSU band in the 1950’s.

The friends decided to found the Russ-Town Band, and as Gibbs explained, their timing was perfect: “At that point, there had been a nationwide revival of the community band.”

In addition to filling a need in Ruston, the Band was also formed to satisfy the members’ nostalgia for the days when they played in their respective high school and college bands.

Gibbs said, “We wanted to have a group of musicians that really missed playing, and we felt Ruston needed a performing group to play local concerts that would rally the townspeople.”

As the friends began coordinating the band, they asked the late Oscar Barnes Jr. to serve as conductor. At the time, Barnes was retired from directing the Ruston High School band. During his career, Barnes had also served briefly as Director of Bands at Winnsboro High School and as Associate Director of Bands at LSU before beginning his tenure at Ruston High School in the 1950’s.

Barnes graciously agreed to conduct the Russ-Town Band and did so for nearly ten years until his health forced him to hand the baton to Gibbs, who admits he is still in awe at the success of the band. He explained, “I am constantly amazed by the reception of the town and the surrounding areas and by the number of musicians interested in playing.”

Consisting of around fifty area professional and semi-professional musicians, the band has become a prominent fixture in Ruston’s music scene. The band was formed by invitation only, and the members come from all walks of life and serve on a strictly volunteer basis.

During their first few years, the band typically played concerts at Ruston’s Railroad Park. Since 1996, however, they have been playing concerts at the Dixie Center for Arts. Gibbs said, “The Dixie has kind of become our home, so we’re excited to be playing there again.” According to Dixie President, Lynne Gnemi, the feeling is mutual. "The contribution to the cultural and musical environment made by the Russ-Town Band is enormous for our city," she said.

The acoustics of the Dixie are incredible. The audience gets a great sound, and there is not a bad seat. So take a break from the heat and enjoy the “feel-good” music of the Russ-Town Band. We’re looking forward to a great concert.

Art of Film: 007 in "Dr No"

If you have never officially met the legendary and suave James Bond – via film, of course – or if your connection with him has been limited lately, now you've got a chance to associate with him up close and personal … in a library, of all places.  The first offering of the James Bond film franchise, "Dr. No" starring Sean Connery, will be shown at 6 p.m. June 23 in the Lincoln Parish Library Meeting Room. It is part of the Art of Film series, a collaboration of the library and the North Central Louisiana Arts Council.

Directed by Terence Young, the 1962 surprise hit introduces us to both a then-unknown Scottish actor and the long line of screen exploits by author Ian Fleming's Agent 007. The rapid-fire, tongue-in-cheek style set the tone for the 22 Bond movies that followed – a franchise that trails only "Harry Potter" and "Star Wars" at the box office. Connery was the first of six actors to play 007 in the series and is often said to have personified the character better than any other.

In "Dr. No," Bond – James Bond – is sent to Jamaica to investigate the brutal murders of two British Secret Service agents. Special Agent Bond, with a license to kill, survives abundant attempts on his life and soon learns of the enigmatic recluse Doctor No, who seems to be behind multiple unsavory happenings. After journeying to Doctor No's island, Bond finds himself enmeshed in a deadly plot.

Because of its low budget, this offering is more down-to-earth than subsequent Bond movies, with 007 being forced to use his wits more often than the now-well-known gadgets of later fare. Still, the ingredients that fill the remaining Bond films are already evident, including the Bond Babe – in this version Ursula Andress, whose emergence from the water in a bikini topped a list of 100 sexiest scenes of film history.

 Though "Dr. No" is tame when compared to later Bond productions and today's standards, some content makes it unsuitable for viewing by children.

 Upcoming films in the Art of Film series include:

  • July 28 – "Take Me Out to the Ball Game"
  • Aug. 25 – "The Spy Who Came in from the Cold"
  • Sept. 22 –  "Sita Sings the Blues"
  • Oct. 27 – "The Awful Truth"
  • Nov.  10 – "Charade"
  • Dec. 8 – "Jane Eyre."

Begun in 2007, the Art of Film is a free monthly film series that features notable movie classics in all genres. For more information or to make suggestions for the series, call Leigh Anne Chambers at 255-1450. In addition to the film, other offerings will include popcorn, treats and trivia.

RCT Announces Auditions

Ruston Community Theatre announces auditions for Dearly Beloved written by Jessie Jones, Nicholas Hope, and Jamie Wooten (authors of The Dixie Swim Club and The Red Velvet Cake War)  Saturday, January 15th at 2:00 pm and Monday, January 17th at 7:00 pm. Dixie Center for the Arts lobby. Roles for 4 males and 7 females ages 20 to 70.   Production dates are March 10-13, 2011.  Directed by Nancy Wallace.  Contact Nancy at jonanwall@bellsouth.net or call 2550-1450 if you have questions. 

 The Futrelle sisters (Frankie, Honey Raye and Twink) are throwing a wedding.  Love (and trouble) are in the air as they prepare for the antebellum-inspired wedding, and the rumor mill in their small town of Fayro, Texas is working overtime.  The Futrelles have never been strangers to gossip, especially since the breakup of their almost-famous gospel singing trio (The Sermonettes).  Throw in a crusty florist, upbeat psychic, patient husband, 15-year boyfriend, want-to-be preacher, future mother-in-law, and a few other savory folks, and it is the wedding to be talked about.  The Sermonettes even reunite to entertain the citizenry of Fayro.

LPAA Meeting Date Announced

PLEASE plan to attend the upcoming Louisiana Partnership for the Arts / Louisiana Partnership for Arts Advocacy meetings on Wednesday, December 15, 2010 from 12:30 P.M. to 2:30 P.M. in Baton Rouge at the Louisiana State Museum, 660 N. 4th St. (225-342-5428).

Guest Speakers: * Lt. Governor Jay Dardenne will attend and address the attendees at 1:00 P.M. This will be our first opportunity to visit with the Lt. Governor, so please come prepared with questions. We need to have a large crowd to greet Lt. Governor Dardenne to show how important his support of the arts funding is to our member organizations and the cultural economy.

* John Abodeely, Program Manager, National Partnerships - Kennedy Center Alliance for Arts Education Network. John leads the national network of state organizations that share a common goal—the advancement of arts education in communities across the country. John also works with Kennedy Center teaching artists and staff to develop and disseminate seminars on arts integration, classroom practice, and teacher training. John is a graduate professor in arts education policy. This is a great opportunity to hear about the opportunities afforded our state through LPA's affiliation with KCAAEN. Please invite all those with arts in education interests to attend this meeting.

Please encourage your constituents, arts educators and artists to attend this meeting to take advantage of these two opportunities to hear first hand about national and state plans for the future.

Feel free to bring your lunch and drink with you! So that we can better plan, please RSVP to mailto:lparts1@aol.com and let Naomi know how many will be attending with you on the 15th.

Holiday Tour Site Maps Now Available!!

NCLAC's 13th Annual Holiday Art Tour is kicking off this Friday.   Site maps are now available at tour locations and various service stations in Ruston.  Look for the giant yellow signs.  You can also pick up brochures at NCLAC offices in the Dixie Center for the Arts in Downtown Ruston.  Not to mention you can download your map by scrolling to the bottom of this page and looking in the "Shared File" box. We look forward to seeing you this weekend!!

Thank You to All of Our Tour Supporters

The 13th Annual NCLAC Holiday Arts Tour would not be possible without the support of our sponsors.

The arts propel, complement, and reflect the achievements and character of a community and its people. They revitalize neighborhoods, create jobs, spur entrepreneurial activity, drive economic development, increase recreational opportunities, and attract tourists. The arts not only form the foundation of the world's rapidly expanding cultural industries; they also have the unique power to touch our spirits.

Thank you for helping NCLAC educate, inspire, challenge, and entertain individuals from all walks of life.

Tour Supporters

  • Diamond

Art Innovations

  • Platinum

KLS Physics Group

Teresa’s Flooring & Decorating

  • Gold

Houck & Riggle, LLC

  • Silver

Holiday Inn Express

  • Bronze

Marsala Beverage Company

Lazy Magnolia Brewery

3 Docs Brew House

Jean Gourd, Ph.D.

  • Grant Providers

Shreveport Regional Arts Council (LDOA DAF)

Plum Creek Foundation

Ruston-Lincoln Convention & Visitors Bureau

Thank you, too, to all the local businesses and artists who have supported NCLAC and the Tour through their participation fees and memberships. Click here to learn more about each Tour location and to learn more about the Tour.

Louisiana Tech Theatre Department to hold Auditions

Louisiana Tech University

Come audition for KAB Man!!!

Date: Wednesday, November 10 Time: 7:30 PM Location: Stone Theatre

KAB Man script is accessible through the LA Tech Theatre Department google group. There is an audition sign-up sheet on the callboard, and audition forms can be picked up from Office 304 A.

While this is a movement heavy show, you do not need to dress to move at auditions. Dress nicely and have a one minute contemporary monologue prepared.

Please refer any questions to the PSM, Paula Rae Brown. She can generally be found in the Stone Theatre Office 304 A, or call 318-257-2930.

Sweet Adelines to Present: Christmas on the Bayou

Piney Hills Harmony chorus of Sweet Adelines is taking its Christmas show on the road, and members hope that their fans, friends and family follow them to West Monroe. The chorus will present the two-hour production "Christmas on the Bayou" on Dec. 4. The musical holiday show includes songs by the chorus, plus segments by four quartets, including Acoustix, an international champion men's barbershop quartet from Dallas.  Chorus President Carol Ogle said, "'Christmas on the Bayou' is holiday harmony - barbershop style. What a great way to start the Christmas season. We know you will enjoy our program of traditional carols mixed in with a few that may become new favorites. This is definitely not 'your grandpa's barbershop music.' Come enjoy an evening of fun, laughter, beautiful harmony and praise as we celebrate the season." Approximately one-third of the chorus members are from Ouachita Parish, so that’s why the Twin Cities venue was chosen this year, she said.   Show time is 7 p.m. at White's Ferry Road Church of Christ, 3201 N. 7th St. in West Monroe. Tickets are $5 for ages 5 and under; $10 for ages 6-18 and those over 60; and $12 for all others. They are available from chorus members and at White's Ferry Road Church; The Avenue Books and Gifts, Ruston; Zeagler's Music, Monroe; The Guardian-Journal, Homer; and the door. A portion of the proceeds will benefit Angel Ministries of Monroe. For more information, call (318) 348-2291.

Call for Entries: Visual Artists

Emerging Artists

Telluride Plein Air

  • Location: Telluride, Colorado
  • Deadline: November 30, 2010
  • Exhibit Dates: June 28- July 4, 2011
  • Sponsor: Sheridan Arts Foundation
  • Venue: Historic Sheridan Opera House
  • Awards: $800 Quick Draw Award, $1,000 Artist Chice Awared, Southwest Art Magazine Award
  • Eligibility: Open to all artist 18 years and older.    Application includes submission of three photos of artwork for juried selection of 20 artists.
  • Website: http://telluridepleinair.com
  • Prospectus: http://onlinejuriedshows.com

Embracing Our Differences

Spring 2011 "Featured Emerging Artists"

  • Exhibit Dates: Spring 2011
  • Deadline: January 10, 2011
  • Sponsor: Visual Overture Magazine
  • Eligibility: Seeking emerging artists, 18+ years old, not currently in undergraduate studies, and artwork created in last 3 years.
  • Fees: $17.00
  • Website:  http://www.visualoverture.com/artists.htm

Jackson Parish Drama Workshop is a Success

This month, NCLAC facilitated a drama workshop at Quitman High School.  Jake Guinn and Andrea Graves, students in Louisiana Tech University’s theatre program, shared their knowledge of stage combat with students at Quitman High School through a mini workshop and demonstration.

 According to QHS drama teacher Alison Amidon, “[The workshop] was SUPER. The students loved it. “

She added, “ I think it really opened their eyes to a whole new career field that they had probably never considered. Jake and Andrea were so knowledgeable and presented the stage combat material in a way the students could really relate.”

 When asked about what he gained from the experience Jake responded  "While I was in high school I was not even aware of half the opportunities I am aware of now as an actor. The opportunity to go and share my experiences with other students, particularly students who aren't totally aware of all the opportunities in the arts, was a fantastic time and truly fulfilling. As a young artist, I am constantly learning of more and more possibilities that my career in the arts will offer me and if, through sharing my experiences and craft, I can interest one person in what we do, or just make them think about the world in general, then I believe my art is truly serving a purpose." 

NCLAC hopes to partner with more schools in the future to offer workshops in a variety of disciplines.  If you or someone you might know would like to arrange a workshop please contact Leigh Anne Chambers at 255-1450 or nclac5@gmail.com.

Latest Calls for Writers

Saints and Sinners Playwriting CompetitionDeadline December 31, 2010

Saints and Sinners Literary Festival Full-Length Playwriting Competition. The annual festival will take place May 12-15, 2011 in New Orleans. The call is for plays never produced in greater New Orleans area. Characters should be kept to a minimum, preferably 5 or under. Staging should be simple or adaptable to a small stage. Prize: $250, production by the Marigny Theatre Corporation at Festival, registration at Festival (May 12-15, 2011). Entry Fee: $15.

For more information, please visit www.sasfest.com

Saints and Sinners Short Fiction Contest Deadline November 1, 2010

Judge: John Berendt. Unpublished stories 5,0007,000 words with GLBT content on broad theme saints and sinners. Grand Prize: $250, publication in QueerMojo anthology and a chance to read at the annual Saints and Sinners Literary Festival in New Orleans, which will take place May 12-15, 2011. Two 2nd place prizes: $50 each, anthology publication, reading. Entry fee: $15.

For more information, please visit www.sasfest.com

Tennessee Williams One Act Play Contest Deadline November 1, 2010

Grand Prize: • $1,500 • Staged reading at the 2011, 25th Annual Tennessee Williams Literary Festival in New Orleans, March 23-27 • Full production at the 2012 Festival • VIP All-Access Festival pass for 2011 and 2012 ($1,000 value) • Publication in Bayou Top Ten Finalists • Names will appear on website. Finalists will also receive a panel pass ($60 value) to attend the 2011 Festival Submit unpublished, never publicly performed one-act plays up to one hour in length.

For eligibility and full guidelines please visit www.tennesseewilliams.net/contests

New Orleans Songwriters Festival Contest Deadline October 31, 2010

As long as your song is words and music, it is eligible for entry. All songs will compete against each other for the Grand and other Prizes.The Grand Prize is a one-day writing session with songwriter Jim McCormick. •Every entrant will get a one-show pass to the New Orleans Songwriters Festival (Nov. 10th-13th, 2010). Entry fee: $50.

For more information, please visit www.nosongfest.com/song-contest

Tennessee Williams Festival Fiction Contest Deadline: November 15, 2010 (postmark)

Judge: Robert Olen Butler Grand Prize • $1500 • Domestic airfare (up to $500) and French Quarter accommodations to attend the 2011 Festival in New Orleans • VIP All-Access Festival Pass ($500 value) • Public reading at the 2011 2011, 25th Annual Tennessee Williams Literary Festival in New Orleans, March 23-27 • Publication in Bayou Top Ten Finalists • Names will appear on website. Finalists will also receive a panel pass ($60 value) to attend the 2011 Festival. Submit unpublished short stories up to 7,000 words. Unlimited entries per person.

For eligibility and full guidelines please visit www.tennesseewilliams.net/contests